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The artist's career took a decisive turn when
Hyperrealism was at the heart of the 1970s
this publication testifies to the territorial anchoring from which the singularity
Par le jeu des reliefs et des masses
New York, aller et retour. Occident The artist's career took aI had to put an end to this decade of violence as quickly as possible, which had begun with the loss of Gilles [Caron] and which had continued, in April 1975, with the death of Michel Laurent in Vietnam. Next on the list, I was convinced, was me. Continuing to take war photographs, at my own risk and peril, no longer made sense. At the time, the gap was enormous between photojournalists and humanist French photographers. Between the two, there was