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Michel Ocelot artificier de l'imaginaire. Numismatique Considérés comme les premiers occupants

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Considérés comme les premiers occupants des territoires qui se déploient au nord du Sahara

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Michel Ocelot artificier de l'imaginaire. Numismatique Considérés comme les premiers occupantsAuthor of a substantial body of work that shakes up current practices in animation and of a film, Kirikou and the Witch (1998), which marks a decisive turning point for the French animation industry, Michel Ocelot establishes himself as one of the major figures of this art. His animated films are recognizable, among other things, by their elegant compositions and sumptuous sets, a legacy of the paper theaters of the Imagerie d'pinal. Their aesthetics

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