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at a relative distance from contemporary passions
Following a commission from Life magazine
Komatsu Hiroko
too often remained in the shadow of Croesus
On n'a pas retrouvé l'oiseau. Bretagne at a relative distance fromUrbex photographs and the words of a poet pay homage to the lives erased in the rusty shadow of the steel monsters of the industrial basins of Wallonia and Northern France, to these tools that were the pride of the workers' know how. A story to be passed on, its grandeur and its decay, is the underlying theme of the book.
