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drawing on new sources of inspiration
it was necessary
I who was so close so many times
from architectural icons to confidential projects
Guillaume Apollinaire au centre des avant-gardes dans la bibliothèque Jean Bonna. Moyen-âge drawing on new sources ofFrom 1909 the year of publication of L'enchanteur pourrissant until his death in 1918, Guillaume Apollinaire occupied a central place within the new poetic and artistic movements. Also an art critic, he stood on the front line of modern painting, promoting its research. Some of his collections are the result of the dialogue between the poet and his painter friends (Derain, Dufy): unprecedented relationships are formed between text and image. From this